Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

About us

ERADIKATOR initially set out to create face-melting, ear-shredding metal that would make even the most hardened ears hemorrhage liquid steel. Back with Divebomb Records for their third consecutive release—following Dystopia (2013) and Edge of Humanity (2015)—the U.K. quartet has, however, broadened its palette and focused on masterfully crafted songwriting with forthcoming nine-song full-length, Obscura.

Recorded once more with producer Russ Russell (NAPALM DEATH, AT THE GATES, EVILE) at The Parlour Recording Studio, Obscura’s 47-minute journey demonstrates a compositional raising-of-the-bar that one might parallel to MEGADETH circa Countdown to Extinction—a more streamlined and immediately memorable approach that doesn’t stray too far from its roots. From the undeniable hooks of opener “Nightmare Dawning,” ERADIKATOR‘s first-rate brand of meaty-yet-melodic thrash grows increasingly diverse—take, for example, the echoes of acts such as MASTODON or GOJIRA in “Hourglass,” or the unanticipatedly bluesy intro to the epic “I Want to Believe.”

Meet the Band